
cover painting by Mike Privatello
better image than previously posted

1959 Crest paperback reissue
cover art by Robert McGinnis
better image than previously posted
1958 Mystery House hardcover, 1st ed.

[post updated 4/24/25]
1958 Morrow hardcover, first edition of the 55th Perry Mason novel

June 1960 Pocket paperback reissue, first printing
cover art by Charles Binger?
better image than previously posted

June 1964 Pocket reissue, 6th printing
cover art by Robert McGinnis
better image than previously posted



Dashiell Hammett lived in this San Francisco building while writing The Maltese Falcon

Hammett – and Spade – lived in the top, right apartment.


Scene of the Crime

The Flood Building, where Hammett worked as a Pinkerton Agent.

John’s Grill, where Spade dined, still in business after all these decades.


©Seattle Mystery Bookshop

Frederic Forrest as Dashiell Hammett in Wim Wender’s Hammett.

better image than previously posted
cover art by John Decker
~ John Ayotte, “The Black Cracksman”, ‘A white Hawaiian thrill’, 6th of 10 stories in BM
~ Eustace Hale Ball, “Grandfather’s Will”, 8th of 13 stories in BM
~ ‘Peter Collinson’ (Dashiell Hammett), “Arson Plus”, ‘1st Continental Op story & billed as ‘full of fire’; see p, 127 for letter by DH’, 3rd of 4 stories under this name, reprinted in The Arbor House Treasury of Detective & Mystery Stories from the Great Pulps (1983), reprinted in The Black Lizard Big Book of Black Mask Stories (Vintage, 2010)
~ Donald Feak, “Black Commandments”, ‘South Seas Tale’, 2nd of 3 stories in BM
~ Newton A. Fuessle, “The Purple Mask”, ‘Kenneth Fuessle and Newton may be the same writer’, 2nd of 2 stories under this name
~ Robert Russell, “Greggs Over-Reaches”, last of 3 stories in BM
~ Harry Simon, “The Man Who Passed Judgment”, 2nd of 2 stories in BM
~ Charles Somerville, “The Sleepless Eye”, 16th of 47 articles in the ‘Manhunter’ series
~ Willett Stockard, “Hutch Blood”, ‘billed as “a Black Mask weirdity”’, 4th of 5 stories in BM
©Seattle Mystery Bookshop
“Film Noir is the flip side of the all-American success story. It’s about people who realize that following the program will never get them what they crave. So they cross the line, commit a crime and reap the consequences. Or, they’re tales about seemingly innocent people tortured by paranoia and ass-kicked by Fate. Either way, they depict a world that’s merciless and unforgiving.”
— Eddie Muller