
published that same year in the US by Doubleday as The White Savage
26th with Australia’s most brilliant detective, Napoleon Bonaparte, referred to as “Bony”
better image than previously posted

published that same year in the US by Doubleday as The White Savage
26th with Australia’s most brilliant detective, Napoleon Bonaparte, referred to as “Bony”
better image than previously posted

1965 Gold Medal paperback original
cover art by Barye Phillips
better image than previously posted

1992 Xanadu trade paper reissue from the UK

1994 Vintage Crime/Black Lizard reissue


pseudonym of Frank Hugh Usher, who also wrote as Frank Lester
first published in 1950 by Collins
cover art by John A. Fernie
better image than previously posted

pseudonym of Frederick C. Davis
1960 Doubleday hardcover, a Crime Club selection, this the later UK paperback

Daly, Carroll John. BETTER CORPSES: A RACE WILLIAMS STORY. London: Robert Hale Limited, [1940]. Octavo, pp. [1-6] 7-286 [287-288: blank], publisher’s black cloth stamped in red and silver. First edition. “When better corpses are made, Race Williams will make them” (p. 186). The last Race Williams book, a fix-up novel incorporating the three-part Morse story arc that first appeared in DIME DETECTIVE in 1935 and 1936 featuring Daly’s violent tough-guy detective, Race Williams, who “never bumped off a guy what didn’t need it” and the Flame (The Girl with the Criminal Mind), “a woman of good — a woman of evil. Take your choice.” Carroll John Daly (1889-1958), one of the fathers of the modern hard-boiled private eye and an important BLACK MASK writer, “is not known for literary niceties — his style can best be described as crude but effective … Characterization is minimal and action is everything” (Crider and Pronzini). Race Williams was Daly’s most successful creation, appearing in about 70 stories and eight novels. Lee Server (Encyclopedia of Pulp Fiction Writers, 2014) has called Race Williams “the single most popular private eye in the history of the pulps.” Cloth worn and scuffed, slight spine lean, half title leaf and final blank tanned, a sound, good copy in a pictorial 8/3 dust jacket with touch of wear at edges, mainly lower spine end, and mild tanning to spine panel and along rear flap fold. Stunning jacket. From the library of a well-known mystery writer with his library stamp on the front paste-down. Rare. There is no equivalent U.S. edition.