The Case of the Sunbather’s Diary x 7

1955 Morrow hardcover / 50th Perry Mason novel

1958 Cardinal reissue – cover art by Mitchell Hooks

Heinemann released the UK hardcover in 1961

1963 Pan reissue – cover art by Harry Sheldon

better image than previously posted

1963 Pocket reissue – cover art by Robert McGinnis

1970s Mayflower edition from the UK

1978 Pocket reissue

2000 Ballantine reissue

The Case of the Smoking Chimney x 5

1943  Morrow hardcover

1950 Pocket reissue

2nd book with Gramps Wiggins

cover art by Wayne Blickenstaff

1961 Pocket reissue – cover art by Charles Binger

better image than previously posted

1963 Horwitz edition from Australia

1963 British edition from Penguin

cover art by Sheila Perry

1958 Avon reissue – cover art by Robert Maguire

1958 Avon paperback original

republished in 1968 by Walker as A Whiff of Death, Asimov’s preferred title

1968 Walker hardcover reissue

1970 Sphere edition from the UK

House of Fury/Reform School Girls x 4

1941 Doubleday hardcover

1948 Diversey digest in Canada

1950 Avon reissue

1959 Berkley reissue

cover art by Robert Maguire

better image than previously posted

Heads You Lose x 5

1943 Dodd Mead hardcover, first edition

1944 Dell reissue

cover art by Ben Hallam, mapback by Ruth Belew

1958 Dell reissue

original title: Blood on the Black Market

cover art by Robert Stanley

better image than previously posted

cover art by Robert McGinnis

1964 Mayflower Dell reissue

above art repurposed from 1958 Dell edition of Frank Kane’s Syndicate Girl

1965 Dell reissue

cover art by Robert McGinnis

better image than previously posted

1934 Knopf hardcover

As nice as it gets: First American Edition of THE POSTMAN ALWAYS RINGS TWICE (1934), by James M. Cain.  In the iconic (and unrestored) dustjacket designed by Arthur Hawkins. 

A stunning copy of Cain’s first novel, a hard-boiled tale of love, murder, and betrayal that anticipated the trend of existentialism in fiction. While writing the novel, Cain was in dire straits financially, living with a friend and struggling to get the manuscript sold. Knopf refused to give him an advance for the novel, namely because his previous book, ‘Our Government,’ only made the publisher $250, selling something close to a few hundred copies. Cain had originally titled his novel Bar-B-Que – a title Alfred Knopf disliked nearly as much as the novel’s “rough, impromptu style.” After some persuasion, and chiefly because of his personal regard for Cain, Knopf decided to published the novel after Cain came up with a different title. In a letter to his second wife, Cain wrote “If I sell a couple of thousand copies, get my name in the papers, and pick up a little money, we’ll be all to the good and I’ll try to think up another one.”

The outcome, of course, was a furor the likes of which had yet to be seen in American publishing. Postman was an instant success, “probably the first of the big commercial books in American publishing,” becoming a best-seller in hardcover, paperback (1935), gaining syndication rights and developed into a highly successful play. Basis for the classic 1946 film noir starring John Garfield and Lana Turner, and a 1981 remake starring Jack Nicholson and Jessica Lange.