Category: magazine

February 1946 issue ~ cover art by Gloria Stoll

February 1946 issue

cover art by Gloria Stoll

better image than previously posted

~ Thomson Burtis, “Deadline for Death”, ex-USA intelligence officer, now police Lt. Greg Sullivan, last of 6 appearances in BM

~ Dale Clark, “Murder Lode”, 24th of 28 with house dick Mike O’Hanna story, at San Alpa Resort hotel, 27th of 32 stories in BM

~ Julius Long, “Flowers for Flanagan”, 10th of 17 stories with ‘Ben Corbett, D.A.’s chief investigator, 1st -person narrator’, 15th of 23 stories in BM

~ Roland Phillips, “The Sentinel of Green Cove”, author’s sole appearance in BM

~ William Rough, “Shoot If You Must”, ‘Ben Slabbe, p.i., who has his own agency; 2nd of 5 capers’ in BM

~ Ted Stratton, “Accounts Deceivable”, 2nd of 2 stories in BM

©Seattle Mystery Bookshop

August 1932 issue ~ cover art by William Reusswig

August 1932 issue

cover art by William Reusswig

better image than previously posted

Westmoreland Gray, “The Beast in Black (Colin Windsor)

Carroll John Daly, “Murder at Midnight” (Vee Brown)

Erle Stanley Gardner, “Forged Kill” (Dick Bentley)

Frederick Nebel, “Rogues’ Ransom” (Cardigan)

Oscar Schisgall, “The Hooded Terror” (Kent Carmiody)

Photo and profile of Gardner appeared on pgs. 123-24

Mischief

First Edition of MISCHIEF (1950), by Charlotte Armstrong.  Together with a typed letter from Armstrong to a collector, dated September 18th, 1957, the year she won the Edgar Award for ‘A Dram of Poison.’  8.5 X 11, numbering 321 words and showing some hand corrections throughout.  A charming and humorous letter, detailing everything from winning the Edgar Award, her reading habits, and Sherlock Holmes (“I read them when I was ten or eleven and it warped my life”).  Signed by Armstrong at the bottom, and a rare signature in our experience.  To date, this is the only signed material by Armstrong we have seen or handled.  Basis for the 1952 film noir ‘Don’t Bother To Knock’ directed by Roy Ward Baker, starring Richard Widmark, Anne Bancroft in her film debut, and Marylin Monroe in her first leading dramatic role.  An attractive copy of a scarce title, and in the author’s own words, “probably the best book I’ve written.”  

Pocket Books 805 reissue, 1951, cover by Robert Hilbert