
Category: movie poster
1953 Columbia Pictures
1957 United Artists
1933 Warner Brothers

based on the book The Kennel Murder Case by S.S Van Dine
actors Eugene Pallette, William Powell, and Robert McWade
Powell played amateur sleuth Philo Vance in a series of movies based on the books
Black Alibi x 8

included Cornell Woolrich’s “Street of Jungle Death”, the basis for his classic novel Black Alibi

1942 Simon & Schuster hardcover, an Inner Sanctum mystery
his 3rd novel as by Woolrich
better image than previously posted



1946 American Mercury/Jonathan Press digest – cover art by George Salter
(previous owner’s intrusive signature on cover)

1956 Mercury digest – cover art by George Salter

1965 Collier Mystery reissue – cover accredited to Dick Cuffari

1982 Ballantine reissue – cover art by Laurence Schwinger
1957 Eros Production
1942 Monogram Pictures
Kitten with a Whip x 4

1960 Gold Medal Book UK – No. 434
originally published in the US by GM Books # s845, 1959

movie tie-in edition to the 1964 film

reissue from Stark House Press, 2013

Clean Break into The Killing

New York: E.P. Dutton, 1955. First Edition. In publisher’s trial dust jacket, date stamped March 1, 1955, on the bottom of the front flap.
Basis for Stanley Kubrick’s breakthrough 1956 film “The Killing,” starring Sterling Hayden in one of his defining roles.

1956 Signet reissue – cover art by Robert Maguire

1988 Black Lizard reissue – cover art by Kirwin

1956 United Artists – written and directed by Stanley Kubrick
Chicago (Pathé, 1927)

Chicago (Pathé, 1927). Rolled, Very Fine-. Swedish One Sheet (25.5″ X 39.5″).
A vibrant and lively poster that perfectly captures the spirit of the film it represents. This colorful Swedish one-sheet highlights Phyllis Haver in what is widely regarded as the finest performance of her career. She brings Roxie Hart to life with the ideal mix of selfish charm and seductive exuberance, delivering what many consider the definitive portrayal of the character. Unusual for the 1920s, the film masterfully balances comedy and drama, a feat largely attributed to Cecil B. DeMille, who oversaw much of the production despite Frank Urson receiving sole directing credit. Interestingly, the Swedish poster credits only DeMille, omitting Urson’s name entirely. This poster has toning, edge chips, and tears, including one repaired with adhesive tape. From the Benito Medela-Piquepe Collection.




