
Mixed media on board, 21 x 15 in. (sight)
Signed lower right
Till Death Do Us Part by Louis Trimble, Ace Double D-367, 1959.


Mixed media on board, 21 x 15 in. (sight)
Signed lower right
Till Death Do Us Part by Louis Trimble, Ace Double D-367, 1959.


June 1956 Signet reissue, first printing
cover art by Robert Maguire
better image than previously posted
posed photo from which Maguire worked


February 1959 Cardinal paperback reissue, first printing
cover painting by John Fernie
better image than previously posted

November 1963 Pocket paperback reissue, 8th printing
cover painting by Robert McGinnis

better image than previously posted

oil on board, 17-1/2 x 14-1/4 inches (44.5 x 36.2 cm)
Signed center left side: Kimmel

May 1952 Signet paperback, first printing
5th novel, a stand-alone thriller
better image than previously posted
[updated with original art 11/5/25]


cover art by J.W. Schlaikjer
better image than previously posted
~ Paul Cain, “The Dark”, ‘Kells & Granquist; part 5 of Fast One’, reprinted in The Complete Slayers (2011 Centipede Press), 7th of 17 stories in BM
~ Erle Stanley Gardner, “Black and White”, 46th of 73 Ed Jenkins stories, 63th of 99 stories in BM
~ Frederick L. Nebel, “He Could Take It”, 9th of 15 stories with ‘tough dick Donahue of Interstate’, reprinted in Tough as Nails (2012, Altus), 41 of 67 stories in BM
~ William Rollins, Jr., “Triple-Cross”, 3rd of 4 stories with Percy (Buck) Warren, private eye, 16th of 23 stories in BM
~ Joseph T. Shaw, “Fugitive”, 2nd of 4 parts, ‘Jack Henderson, set in Far East, eg, Rangoon’, 7th of 9 works of fiction in BM
~ Raoul [Fauconnier] Whitfield, “Blue Murder”, ‘Don Free, private dick; 3rd and last DF story’, title used for earlier story in July ’28 issue, 58th of 67 stories in BM [see also 24 stories as Ramon Decolta]
©Seattle Mystery Bookshop

1940 Simon and Schuster hardcover as The Bride Wore Black, first novel and the beginning of his “Black” title run
better image than previously posted

August 1961 issue of Mike Shayne Mystery Magazine


Tempera on board, 12-7/8 x 6-7/8 inches (32.7 x 17.5 cm) (sight)
Not signed (signature whited out bottom left, visible on book’s cover)
Midwood paperback original, 1962
