
gouache on illustration board, 11″ by 17″
1963 Avon paperback original


gouache on illustration board, 11″ by 17″
1963 Avon paperback original


oil on board, 10 3/4″ x 13 1/4″

1952 Holt hardcover
1954 Dell paperback reissue
better image than previously posted

cover art by Howell Dodd
better image than previously posted
originally published as Passion’s Slave by Exotic Novel, February1950?

cover art by George Gross


Kate by Chet Kinsey (Beacon books edition, #B225, 1959)

artwork repurposed for Student Nurses by Gail Jordan [aka Peggy Gaddis] (Uni books #37 1952)

The dates given for these works makes no sense. If the original cover was for a 1959 paperback (which seems likely as the artwork matches), then how could the second book be from 1952? The only way that works is if the “original artwork” is the retouched work from the 1952 book…

tempera on board, 17 x 11.5 in. (sight)
Signed lower right
Decoy by Michael Morgan, Ace Double paperback original, 1953.
joint pseudonym of C.E. Carle and Dean M. Dorn


Hail, Hail, the Gang’s All Here, paperback cover, 1972
gouache on board, 22-1/4 x 14-1/4 inches (56.5 x 36.2 cm) (sight)
Signed lower right


Watercolor on Illustration Board, Image Size: 9″ x 12.5″ an a board measuring 13.25″ x 17.25″

cover art by Rafael DeSoto
Frederick C. Davis, “Where There’s a Will There’s a Stay” (Barney Chance)
E. Hoffman Price, “My Body Lies Over the Ocean” (Hank Brewer)
D.L. Champion, “Upstairs to Murder” (Insp. Allhoff)
Richard Dermody, “The Doctor’s Switch” (Doc Pierce)
Robert C. Dennis, “Too Cold to Live”
K. Webster, “Clock-out for Death”
Joel Murcott, “Big Killing”
better image than previously posted


oil on board, 16″ X 21″
unidentified 1950s pulp magazine cover, similar composition to a September 1950 Black Mask issue, so perhaps this was an earlier version of the idea?


Oil on board, 21-1/4 x 14-3/8 inches (54.0 x 36.5 cm) (sight)
Not signed
[cover updated 1/30/26]