
first published by Gold Medal in 1951 as High Red for Dead, and re-titled for this second printing in ‘57. cover art attributed to Barye Phillips
better image than previously posted


first published by Gold Medal in 1951 as High Red for Dead, and re-titled for this second printing in ‘57. cover art attributed to Barye Phillips
better image than previously posted


pseudonym of E(dgar) Hoffman Price
1952 Falcon paperback original
cover art by Howell Dodd
1954 Phantom reissue from Australia with “copied” cover art


9th with private eye team Bertha Cool and Donald Lam



August 1950 issue ~ cover art by Rudolph Belarski

published in 1951 by Heinemann in London as An Axe to Grind. this the 1960 Australian edition by Horowitz


cover art by Harry Bennett
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1965 Gold Medal paperback original
cover art by Barye Phillips
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1992 Xanadu trade paper reissue from the UK

1994 Vintage Crime/Black Lizard reissue


1953 Gold Medal paperback original
also published by Berkley as One for My Money in 1962 and a French film in 1990, It’s Freezing in Hell
cover art by Charles Copeland




2013 Black Curtain Press reissue


41st Perry Mason novel

cover photo of Ellen Burstyn by Silver Studios

1961 Great Pan edition from the UK – cover art by Sam Peffer

November 1962 Pocket reissue, 5th printing
cover art Robert McGinnis
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1936 Double Day hardcover
A Crime Club selection
3rd with drunken private eye Bill Crane from 1936


1956 Jonathan Press digest, #84
cover art by ED Emshwiller

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1964 McFadden paperback reissue
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1990 International Polygonics – cover by Jennifer Place


WOOLRICH, Cornell (1903-68). The Bride wore Black. New York: Simon and Schuster, 1940.
8o. Original cloth (slight lean); pictorial dust jacket by Charles Coleman (price-clipped, tiny chip to back panel, slight rubbing to joints and folds). Provenance: Nina Kelly Bruce (bookplate, signatures on front and back endpapers).
FIRST EDITION of Woolrich’s first mystery and a landmark of noir. “There are no suspects, no clues, yet the reader is tensely aware of mystery. There is only the woman, her victims, and the relentless drama of her life–a pale shadow that comes gradually into focus and is seen at last in brilliant outline” (dust jacket). The basis for François Truffaut’s film starring Jeanne Moreau. A Haycraft-Queen Cornerstone.

1941 Philadelphia Enquirer Newspaper Supplement
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Summer 1941 issue – cover art by Wilson Scruggs
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cover art by H. Lawrence Hoffman
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1952 Winter issue – cover art by George Gross

1953 Pyramid reissue with new title


1958 Dutch edition from Kroonder,Bussum
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cover art by Laurence Schwinger


included Cornell Woolrich’s “Street of Jungle Death”, the basis for his classic novel Black Alibi

1942 Simon & Schuster hardcover, an Inner Sanctum mystery
his 3rd novel as by Woolrich
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1946 American Mercury/Jonathan Press digest – cover art by George Salter
(previous owner’s intrusive signature on cover)

1956 Mercury digest – cover art by George Salter

1965 Collier Mystery reissue – cover accredited to Dick Cuffari

1982 Ballantine reissue – cover art by Laurence Schwinger