
Oil on board, 30 x 20.25 in. (sight)
Signed lower right
Counterspy Express by A. S. Fleischman, Ace D-57, 1954


Oil on board, 30 x 20.25 in. (sight)
Signed lower right
Counterspy Express by A. S. Fleischman, Ace D-57, 1954


Oil on board, 20-1/2 x 14 inches (52.1 x 35.6 cm) (sight)
Signed lower left
The Deadly Combo by John Farr (Ace, 1958)


1952 Morrow hardcover
1954 Dell reissue
13th with private eyes Bertha Cool and Donald Lam
cover art by Griffith Foxley
better image than previously posted

1947 Random House hardcover
1949 Bantam reissue
cover art by Robert Skemp
basis for the 1956 film noir and Humphrey Bogart’s last movie
better image than previously posted

gouache on illustration board, 11″ by 17″
1963 Avon paperback original


oil on board, 10 3/4″ x 13 1/4″

1952 Holt hardcover
1954 Dell paperback reissue
better image than previously posted

Kate by Chet Kinsey (Beacon books edition, #B225, 1959)

artwork repurposed for Student Nurses by Gail Jordan [aka Peggy Gaddis] (Uni books #37 1952)

The dates given for these works makes no sense. If the original cover was for a 1959 paperback (which seems likely as the artwork matches), then how could the second book be from 1952? The only way that works is if the “original artwork” is the retouched work from the 1952 book…

tempera on board, 17 x 11.5 in. (sight)
Signed lower right
Decoy by Michael Morgan, Ace Double paperback original, 1953.
joint pseudonym of C.E. Carle and Dean M. Dorn


Hail, Hail, the Gang’s All Here, paperback cover, 1972
gouache on board, 22-1/4 x 14-1/4 inches (56.5 x 36.2 cm) (sight)
Signed lower right
