
cover art by Robert Maguire
better image than previously posted

WOOLRICH, Cornell (1903-68). The Bride wore Black. New York: Simon and Schuster, 1940.
8o. Original cloth (slight lean); pictorial dust jacket by Charles Coleman (price-clipped, tiny chip to back panel, slight rubbing to joints and folds). Provenance: Nina Kelly Bruce (bookplate, signatures on front and back endpapers).
FIRST EDITION of Woolrich’s first mystery and a landmark of noir. “There are no suspects, no clues, yet the reader is tensely aware of mystery. There is only the woman, her victims, and the relentless drama of her life–a pale shadow that comes gradually into focus and is seen at last in brilliant outline” (dust jacket). The basis for François Truffaut’s film starring Jeanne Moreau. A Haycraft-Queen Cornerstone.

1941 Philadelphia Enquirer Newspaper Supplement
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Summer 1941 issue – cover art by Wilson Scruggs
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cover art by H. Lawrence Hoffman
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1952 Winter issue – cover art by George Gross

1953 Pyramid reissue with new title


1958 Dutch edition from Kroonder,Bussum
better image than previously posted


cover art by Laurence Schwinger


1950 Avon Monthly Novel digest original – first appearance
cover art by Mike Doyle

1951 Avon paperback – first mass market
cover art attributed to Barye Phillips
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cover art by John Vernon
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1947 Locke publication under the original title The Curiosity of Etienne MacGregor. reissued in 1952 by Todd as The Sweetheart of the Razors with 43 extra pages
1958 Ace Books UK release, cover by Donelli

Man-Killer by Talmage Powell, Ace Double, 1960
Watercolor and gouache on board
14.875 x 12.375 in. (sight)
Signed lower right

better image than previously posted

The Girl in the Death Seat, paperback cover
Gouache on board
18-1/2 x 12-3/4 inches (47.0 x 32.4 cm) (image)
Not signed

The present work is on the cover of
The Girl in the Death Seat by Fan Nichols (Ace, 1961).

original title, Be Silent, Love
Simon and Schuster hardcover, 1960