
Stanley M. Zuckerberg (American, 1919-1995)
Car Hold Up, magazine interior
Gouache on board, 20-3/4 x 26 inches (52.7 x 66.0 cm)

Stanley M. Zuckerberg (American, 1919-1995)
Car Hold Up, magazine interior
Gouache on board, 20-3/4 x 26 inches (52.7 x 66.0 cm)

1960 Horwitz paperback original in Australia

1960 Signet paperback original
cover art by Barye Phillips


Robert McGinnis (American, 1926-2025), Not signed
The Wayward Wahine, Carter Brown, 1966 Signet reissue
Gouache on board, 19-1/4 x 15 inches (48.9 x 38.1 cm)



1944 Jefferson House hardcover – see Signet reissue below

1948 Farrar Straus hardcover – cover art by Bill English
3rd with PI Max Thursday

1949 Sampson Low hardcover from the UK – cover art by Tansley

1949 Signet reissue – cover art by James Avani


Gouache on board, 17-1/2 x 22 inches (44.5 x 55.9 cm)
Not signed
– white lines show where the original work was re-touched for the new cover –


1957 Phantom edition from Australia



1958 Horwitz paperback original from Australia

The Blonde, Carter Brown paperback cover, 1958 Signet
Gouache on board, 28 x 18 inches (71.1 x 45.7 cm) (image)
Signed faintly lower right: Barye


undated Dutch edition – cover art by Moriën

1967 Signet reissue – cover art by Robert McGinnis
better image than previously posted


later Signet reissue – cover art by Barye Phillips

George Gross Best True Fact Detective May, 1950. Cover Painting Original Art (Newsbook, 1950). This bondage cover features rich and vibrant colors in a pin-up style. Lurid covers of this type drove the pulp crime story industry. Created in gouache on illustration board. Signed in the lower left of the 13″ x 16.25″ image area.


gouache on board, 24 x 17-3/4 inches (61.0 x 45.1 cm)
Signed lower right: Victor Kalin
Spy Hunt by Norman Daniels (Pyramid, 1960).


Gouache on board. 25 3/4×15 1/2 inches, on 29 3/4×20 1/4-inch board. Signed “Barye” in right image.
pseudonym of J.E. MacDonnell
July 1965 Signet paperback original
cover art by Barye Phillips
