![](https://seattlemysteryhardboiled.com/wp-content/uploads/2024/02/screenshot-2024-02-21-at-5.17.43e280afpm.png?w=650)
Cover art for “The Perfect Victim” by James McKimmey, published by Dell in 1958. Gouache on board. 552×368 mm; 21 3/4×14 1/2 inches. Signed “Abbett” in right image.
![](https://seattlemysteryhardboiled.com/wp-content/uploads/2024/02/tumblr_mjjxxq45sf1rtfvxoo1_500.jpg?w=397)
Cover art for “The Perfect Victim” by James McKimmey, published by Dell in 1958. Gouache on board. 552×368 mm; 21 3/4×14 1/2 inches. Signed “Abbett” in right image.
Ernest Chiriacka (as Darcy) Adultress Paperback Cover Painting Original Art (Beacon, 1959). A mix of abuse and lust leads a woman to become an “Adultress” in this risque cover painting created for the Lon Williams novel. Gouache on illustration board with an image area of 12.5″ x 20.5″.
“While the City Sleeps.” Upper portion only of cover art for the book of the same name by Charles Einstein, re-printed by Dell in 1956 to coincide with the release of the film adaptation starring Rhonda Fleming and Dana Andrews. Gouche on board. 330×337 mm; 13×13 1/4 inches. Signed “M. Hooks” in lower right.
better image than previously posted
Gouache on board, 22.5 x 10.5 in.
Not signed
Robert Schlick, Tonight It’s Me, Pyramid Books #G-248, 1957
Gouache on board, 18 x 14 in. (sight)
Not signed
cover art repurposed for March 1955 Special Detective
better image than previously posted