
Gouache on board, 12.25 x 9.5 in. (sight)
Signed lower right
paperback cover for Beat Not the Bones by Charlotte Jay, Avon, 1966.

1952 Harper hardcover in the US
Winner of the first ever Edgar Award for Best Novel, 1954

Gouache on board, 12.25 x 9.5 in. (sight)
Signed lower right
paperback cover for Beat Not the Bones by Charlotte Jay, Avon, 1966.

1952 Harper hardcover in the US
Winner of the first ever Edgar Award for Best Novel, 1954


Gouache on board, 22 x 16-1/2 inches (55.9 x 41.9 cm)
Signed and dated lower right
The work is published in The Bramble Bush by David Duncan (Macmillan, 1948).

cover art by James Meese
cover art by James Meese

Cover art for “The Perfect Victim” by James McKimmey, published by Dell in 1958. Gouache on board. 552×368 mm; 21 3/4×14 1/2 inches. Signed “Abbett” in right image.



Ernest Chiriacka (as Darcy) Adultress Paperback Cover Painting Original Art (Beacon, 1959). A mix of abuse and lust leads a woman to become an “Adultress” in this risque cover painting created for the Lon Williams novel. Gouache on illustration board with an image area of 12.5″ x 20.5″.


“While the City Sleeps.” Upper portion only of cover art for the book of the same name by Charles Einstein, re-printed by Dell in 1956 to coincide with the release of the film adaptation starring Rhonda Fleming and Dana Andrews. Gouche on board. 330×337 mm; 13×13 1/4 inches. Signed “M. Hooks” in lower right.

better image than previously posted

Gouache on board, 22.5 x 10.5 in.
Not signed
Robert Schlick, Tonight It’s Me, Pyramid Books #G-248, 1957


Gouache on board, 18 x 14 in. (sight)
Not signed

cover art repurposed for March 1955 Special Detective

better image than previously posted