Tag: private eye

November 1928 issue ~ cover art by Fred Craft

February 1928 issue

cover art by Fred Craft

~ Tom Curry, “Under Cover”, DeVrite, NYPD undercover ‘secret agent’, 1st of 7, subtitled ‘The Receiver’, 20th of 39 stories in BM

~ Erle Stanley Gardner, “Yellow Shadows, 19th of 73 Ed Jenkins stories, in Chinatown with Helen Chadwick and Ngat T’oy; “headnote to story provides valuable data (background)”, 29th of 99 stories in BM

~ Dashiell Hammett, “The 19th Murder”, last of 4 Continental Op stories that will go together to make up Red Harvest (Knopf hc, 1929), reprinted in The Big Book of the Continental Op (Vintage, 2017), 35th of 51 stories in BM

~ Charles T. Hickey, “Left Helps the Cops”, ‘Lefty McRae, crook’, author’s only story in BM

~ Victor Shaw, “The Tommy-Knocker”, Dan Craig & hard rock mining, 2nd with Craig, 3rd of 5 stories in BM

~ David Thibault, “The Contract”, ‘Louisiana lumber swamps in Mississippi Delta, Irish dialect’, 1st of 2 stories in BM

~ Everett H. Tipton, “Leather Mask and Cowhide Vest”, ‘Western’, 2nd of 7 stories in BM

~ Raoul [Fauconnier] Whitfield, “Soft Goods”, ‘Little Bennie, a hood, & Charlie Harmer, detective, in Center City’, 18th of 67 stories in BM [see also 24 stories as Ramon Decolta]

Hardest of the Hardboiled #2 x 7

1933 Doubleday Doran advance reading copy

1948 Avon reprint, 1st paperback edition

cover art by Ann Cantor

Fast One was Cain’s sole novel

Chandler termed it the “high point in the ultra hard-boiled manner”

1952 Avon reprint

cover art by Victor Olsen

1978 Southern Illinois University Press

an entry in their “Lost American Fiction” series

1980 Popular Library 1st print reissue

cover art by Jin Campbell

1987 Black Lizard reissue

cover art by Kirwin

February 2012 Centipede hardcover

cover art by Ron Lesser

©Seattle Mystery Bookshop

[updated 6/26/25]

January 1977 Vintage paperback original, 1st printing

January 1977 Vintage paperback original, 1st printing

edited and with an introduction by Herbert Ruhm

Carroll John Daly, “The False Burton Combs” (Dec, 1922)

Peter Collinson, “The Road Home” (Dashiell Hammettt, Dec, 1922)

Dashiell Hammett, “The Gutting of Couffignal” (Dec, 1925)

Norbert Davis, “Kansas City Flash” (Mar, 1933)

Frederick Nebel, “Take It and Like It” (June, 1934)

Raymond Chandler, “Goldfish” (June, 1936)

Lester Dent, “Angelfish” (Dec, 1936)

Erle Stanley Gardner, “Leg Man” (Feb, 1938)

George Harmon Coxe, “Once Around the Clock” (May, 1941)

Merle Constiner, “The Turkey Buzzard Blues” (July, 1943)

William Brandon, “It’s So Peaceful in the Country” (Nov, 1943)

Curt Hamlin, “Killer Come Home” (his only Black Mask story, July, 1948)

Paul W. Fairman, “Big-Time Operator” (his only Black Mask story, July, 1948)

Bruno Fischer, “Five O’Clock Menace” (May, 1949)

©Seattle Mystery Bookshop

November 1948 issue ~ cover art by Peter Stevens

November 1948 issue

cover art by Peter Stevens

better image than previously posted

~ Fredric Brown, “Cry Silence” – his only appearance in BM, reprinted in The Black Lizard Big Book of Black Mask Stories (Vintage, 2010)

~ Curtis Cluff, “Overdose of Lead”, NYC PI Chuck Conrad, last of 4 stories in BM

~ Mel Colton, “Dead Men Can’t Welsh”, ‘Jimmy Rock, p.i.’, 1st of 2 stories in BM

~ William Campbell Gault, “The Bloody Bokhara”, ‘the carpet business!’, 8th of 9 stories in BM

~ Don M. Mankiewicz, “Odd on Death”, author’s sole appearance in BM

~ Tom Marvin, “Harm’s Way”, last of 3 stories in BM

~ Coleman Meyer, “Gun in His Back”, ‘cop story’, 2nd of 2 stories in BM

©Seattle Mystery Bookshop

March 1933 issue ~ cover art by J.W. Schlaikjer

March 1933 issue

cover art by J. W. Schlaikjer

~ Norbert Davis, “Kansas City Flash”, ‘Mark Hull, ex-stunt man, in Hollywood & L.A; reprinted in The Hard-Boiled Detective (1977)’, 2nd of 13 stories in BM

~ Erle Stanley Gardner, “Red Jade”, 48th of 73 Ed Jenkins in Chinatown with Soo Hoo Duck, Ngat T’oy; ‘see p.5 for a letter from ESG to JTS’ [Joseph T. Shaw, ed.], 69th of 99 stories in BM

~ Frederick L. Nebel, “Rough Reform”, 20th of 37 with Captain Steve MacBride and local reporter Kennedy, reprinted in Too Young to Die: Complete Cases of MacBride & Kennedy, v.3 (Altus, 2013), 45 of 67 stories in BM

~ Norvell Page, “The Confessional”, ‘2nd of 3 Jules Tremaine stories; Manhattan and Little Italy; (ed. note) a projected & potentially important series that never developed’ [Hagemann doesn’t explain his editor’s note], only these 3 stories in BM. Reprinted in Black Harvest: The Complete Black Mask Cases of Jules Tremaine (Steeger Books, 2021).

~ William Rollins, Jr., “K.O. Carries On”, 2nd of 4 stories with ‘Kenneth Osborne from ‘No’th Cah’lina’; 1st person narrator’, 19th of 23 stories in BM

~ Theodore A. Tinsley “Help Wanted”, ‘6th (of 25) Jerry Tracy capers, columnist on the (NYC) Planet, ‘mixer with poor and rich, the crooked and the straight, trailer of trouble and happiness’, 6th of 26 stories in BM. Reprinted in South Wind: The Complete Black Mask Cases of Jerry Tracy (Steeger Books, 2021).

~ Roger Torrey, “A Night in Menlo”, ‘Western; Deputy Marshall Henry Corbin in town of Menlo’, 2nd of 50 appearances in BM

©Seattle Mystery Bookshop

November 1930 issue ~ cover art by J.W. Schlaikjer

November 1930 issue

cover art by J. W. Schlaikjer

better image than previously posted

~ Eugene Cunningham, “Border Guns”, ‘Western; Johnny Hearne, Border patrolman’, 4th of 14 stories in BM

~ Tom Curry, “The Man from Headquarters”, 20th of 23 with Macnamara (Mac), NYPD 1st grade dick, 35th of 39 stories in BM

~ Dashiell Hammett, “Death and Company”, ‘last Op [22nd] story and DH’s final appearance in BM’, last of 45 stories in BM

~ Nels Leroy Jorgensen, “Lone Hand Tactics”, 2nd of 3 with Rio Kennedy of the Customs Service in Santo Domingo, 20th of 39 stories in BM

~ Frederick L. Nebel, “Rough Justice”, 1st of 15 stories with ‘tough dick Donahue of Interstate’, 26 of 67 stories in BM, reprinted in The Black Mask Boys (1985, Morrow), reprinted in Tough as Nails (2012, Altus)

~ James P. Olsen, “Horror Hacienda”, ’Wolf Cazell in New Mexico’, 2nd of 6 Western stories in BM

~ Raoul [Fauconnier] Whitfield, “Death in a Bowl”, last of 3 serialized parts, ‘Ben Jardinn, Hollywood eye, & murder in Hollywood Bowl’, ‘(originally titled The Maestro Murder)’, published in hardcover in 1931 by Knopf, 43rd of 67 stories in BM [see also 24 stories as Ramon Decolta]

©Seattle Mystery Bookshop

October 1932 issue ~ cover art by J.W. Schlaikjer

October 1932 issue

cover art by J. W. Schlaikjer

~ Erle Stanley Gardner, “On Two Feet”, last Bob Larkin story, 1st since 9/1929, 64th of 99 stories in BM

~ Horace McCoy, “Wings over Texas”, 12th of 14 stories with Frost ‘Capt. Jerry Frost, Texas (Air) Ranger’ 15th of 17 stories in BM

~ James H[enry] S[eymour] Moynahan, “Blow-Off”, ‘O’Brien, private dick’, 2nd of 2 stories in BM

~ Frederick L. Nebel, “The Red Web”, 10th of 15 stories with ‘tough dick Donahue of Interstate’, ‘Donahue, a.k.a “The Hard Boiled One”’, reprinted in Tough as Nails (2012, Altus), 42 of 67 stories in BM

~ Joseph T. Shaw, “Fugitive”, 3rd of 4 parts, ‘Jack Henderson, set in Far East, eg, Rangoon’, 8th of 9 works of fiction in BM

~ Theodore A. Tinsley, “Party from Detroit”, ‘1st (of 25) Jerry Tracy capers, columnist on the (NYC) Planet, ‘mixer with poor and rich, the crooked and the straight, trailer of trouble and happiness’, 1st of 26 stories in BM

©Seattle Mystery Bookshop

October 1932 Canadian issue – same contents, clearer, sharper, more colorful image

[US image updated 10/27/25]

Hardest of the Hard-Boiled: #1

SOLOMON’S VINEYARD. London: Methuen & Co. Ltd., [1941]. Octavo, pp. [1-6] [1] 2-218, publisher’s light blue cloth stamped in black. First edition. Hard-boiled mystery novel republished later as THE FIFTH GRAVE, a 1950 American paperback with drastically expurgated text. “SOLOMON’S VINEYARD is a genuine hard-boiled classic … It has everything! A private eye; a shoot-out at a roadhouse; necrophilia; a shoot-out in a steam bath; mobsters; a crooked police chief; a bizarre religious cult; a knife fight in a whorehouse; kidnapping; a mystery woman with a taste for kinky sex; human sacrifice; crypt-robbing — you name it, detective Karl Craven has to deal with it … For this book … [Latimer] indulges in his taste for Grand Guignol with evident relish. SOLOMON’S VINEYARD is clearly Latimer’s homage to the classic hard-boiled detective story … As such it is a brilliant success …” (Art Scott). Pronzini and Muller, 1001 Midnights, pp. 465-466. Owner’s inked signature at top edge of front free endpaper. A very good copy in nearly fine dust jacket priced 7/6 on the front flap. From the library of a well-known mystery writer with his library stamp on the front paste-down. Rare in dust jacket.

November 1988 IPL first print reissue

Often referred to as a lost classic, this novel was thought to be so hardboiled and unrelenting that it no American publisher would touch it. First published as a British hardcover in 1941, it was edited to align with UK spelling and slang. The first US appearance, in 1946, was a modified and edited (read ‘softened’) version entitled The Fifth Grave. That version was released as a Popular Library paperback in 1950. [cover art by Rudolph Belarski, from the November 1949 issue of Popular Detective]

Though there was a limited collector’s edition printed in 1982, this IPL paperback is the true thus US trade edition first printing of the full text of the novel.

With Paul Cain’s Fast One, Solomon’s Vineyard is considered to be the hardest of the hardboiled of the great era of crime writing. Here’s the opening paragraph as narrated by private eye Karl Craven:

“From the way her buttocks looked under the black silk dress, I knew she’d be good in bed. The silk was tight and under it the muscles worked slow and easy. I saw weight there, and control, and, brother, those are things I like in a woman. I put down my bags and went after her along the station platform.”

1953 Mercury digest/Jonathan Press abridged edition – cover art by George Salter

This classic is now available from the Stark House Press imprint Black Gat Book. Though it has Latimer’s original title, that was used for the edited version, the new edition contains the “unexpurgated text”.

cover art by Rudolph Belarski

[post updated 6/30/25]