
1948 Rinehart hardcover, his 6th “Black” title
cover art by William Wirtz
better image than previously posted

1948 Rinehart hardcover, his 6th “Black” title
cover art by William Wirtz
better image than previously posted

cover art by Malvin Singer
~ D.L. Champion, “Padlocked Pockets”, 23rd if 26 with Sackler, reprinted in Murder Costs Money: The Complete Black Mask Stories of Rex Sackler (Steeger, 2020), 25th of 30 stories in BM
~ Ed Edstrom, “Never Call the Cops”, author’s only appearance in BM
~ Bruno Fischer, “A Killer in the Crowd”, ‘1st-person; homicide lieutenant, NYPD’, 2nd of 5 stories in BM
~ William Campbell Gault, “The Constant Shadow”, 4th of 9 stories in BM
~ Henry Norton, “High Voltage Homicide”, ‘Lee Bassler, ‘phone company trouble-shooter’, last of 6 stories in BM
~ H.H. Stinson, “Murder’s No Libel”, last of 14 with Ken O’Hara, ‘now press agent for Hotel Diplomat’, 24th of 27 stories in BM
~ Michael Sutton, “Concerto for Guns”, ‘Johnny Dillon, LA private ‘tec, 1st person narrator‘, 2nd of 2 stories in BM
©Seattle Mystery Bookshop


cover art by H.J. Ward
better image than previously posted
altered version of March 1938 issue of Spicy Mystery


As nice as it gets: First American Edition of THE POSTMAN ALWAYS RINGS TWICE (1934), by James M. Cain. In the iconic (and unrestored) dustjacket designed by Arthur Hawkins.
A stunning copy of Cain’s first novel, a hard-boiled tale of love, murder, and betrayal that anticipated the trend of existentialism in fiction. While writing the novel, Cain was in dire straits financially, living with a friend and struggling to get the manuscript sold. Knopf refused to give him an advance for the novel, namely because his previous book, ‘Our Government,’ only made the publisher $250, selling something close to a few hundred copies. Cain had originally titled his novel Bar-B-Que – a title Alfred Knopf disliked nearly as much as the novel’s “rough, impromptu style.” After some persuasion, and chiefly because of his personal regard for Cain, Knopf decided to published the novel after Cain came up with a different title. In a letter to his second wife, Cain wrote “If I sell a couple of thousand copies, get my name in the papers, and pick up a little money, we’ll be all to the good and I’ll try to think up another one.”
The outcome, of course, was a furor the likes of which had yet to be seen in American publishing. Postman was an instant success, “probably the first of the big commercial books in American publishing,” becoming a best-seller in hardcover, paperback (1935), gaining syndication rights and developed into a highly successful play. Basis for the classic 1946 film noir starring John Garfield and Lana Turner, and a 1981 remake starring Jack Nicholson and Jessica Lange.


cover art by Rafael DeSoto, oil on board, 26 x 18.5 in.
better image than previously posted
H.H. Stinson, “A Window in My Coffin” (PI Kerry Monahan)
Peter Paige, “Death – On the House”
John D. MacDonald, “Suicidal Journey”
Ken Kessler, “Operation Murder”
Seymour Irving Richin, “Violence for Vicky”
Stanley C. Vickers, “Noose of Retribution”
Edward William Murphy, “Killings on the Conscience”


Crane Wilbur (director, screenwriter)
June Havoc, John Russell, Dorothy Hart, Connie Gilchrist, Cathy Lewis (starring)
Universal City: Universal Pictures, 1949. Vintage studio still photograph from the 1949 film noir, showing actor John Russell.
A woman exacts revenge on the gangster who killed her husband, landing herself in a women’s prison. Afterwards, she vows to change her ways, but finds herself gradually drawn back into her life of crime.
Set in San Francisco.
8 x 10 inches. Very Good plus, with one small bruise near the left edge of the recto and some emulsion defects.