The Lady in the Lake x 14

1943 Knopf hardcover

1946 Pocket reissue – cover art by Tom Dunn

1952 Penguin UK reissue

1959 Cardinal reissue – cover art by Morgan Kane

1971 Ballantine reissue – cover art by Tom Adams (owner’s copy)

1976 Vintage reissue – cover art by Richard Waldrep (owner’s copy)

1979 Penguin UK reissue – cover by James Tormey

1979 Pan/Macmillan reissue – cover photo by Peter Williams

1988 Vintage/Black Lizard reissue

1989 Penguin UK reissue

1994 Thorndike edition

2010 Penguin Classics UK reissue

2011 Penguin UK reissue

2016 Penguin UK reissue

The High Window x 23

1940 Knopf hardcover, 1st edition

1943 Hamish Hamilton UK 1st ed.

1956 Pocket reissue, 2nd printing – cover art by James Meese (owner’s copy)

1945 Pocket reissue – cover by E. McKnight Kauffer

The Brasher Doubloon (20th Century Fox, 1946). Very Fine- on Linen. Three Sheet (41″ X 78.5″).

adaptation of Raymond Chandler’s The High Window – noted in tiny print on the poster

1956 Penguin UK reissue

1959 Penguin reissue

1961 Horwitz reissue from Australia – cover art by Theo Batten

1965 Pocket reissue

1967 Hamish Hamilton reissue, Fingerprint Edition

1969 Pocket reissue

1971 Ballantine reissue – cover art by Tom Adams (owner’s copy)

1976 Vintage reissue – cover art by Richard Waldrep (owner’s copy)

1979 Pan/Macmillan reissue – cover photo by Peter Williams

1988 Penguin/Random House reissue

1989 Penguin UK reissue

1992 Vintage/Black Lizard reissue

1993 Thorndike large print edition

2002 Penguin UK reissue

2011 Penguin UK reissue

2011 Penguin UK reissue

2011 Penguin Classics UK reissue

2013 Vintage/Black Lizard reissue

The Big Sleep x 27

1939 Knopf advanced reading copy

1939 Knopf hardcover

1939 Hammish Hamilton UK hardcover

1942 Avon digest, Murder Mystery Monthly No.7, first softcover release of this American classic/ cover art by William Frost

1943 Avon paperback – cover art by Paul Stahr

1945 Knopf hardcover reissue – inscribed to director John Houseman

1946 World Press movie tie-in

1948 Pocket reissue – cover art by Darcy (Ernest Chiriacka)

better image than previously posted

1950 Pocket reissue, 3rd print – cover art by Harvey Kidder (owner’s copy)

1952 Penguin UK reissue

1962 Penguin UK reissue – cover art by John Sewell

better image than previously posted

1966 Penguin reissue

1971 Penguin UK reissue – cover designed by James Tormey

1973 Ballantine reissue – cover art by Tom Adams (owner’s copy)

1976 Ballantine reissue – cover art by Richard Amsel

watercolor cover art by Richard Waldrep, 13.75″ x 9.50″

1976 Vintage reissue (owner’s copy)

1976 Vintage trace paperback reissue

1979 Pan Macmillan reissue – cover photo by Peter Williams

1988 Vintage reissue

1988 Vintage reissue

1988 Knopf reissue

2000 Penguin UK reissue

2005 Penguin UK reissue

2009 Hammish Hamilton hardcover

2011 Penguin UK reissue

2014 Penguin UK reissue

2022 Vintage reissue

⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎⚙︎

note ~ there are many, many more covers for this book, both in English and foreign languages… but I had to stop somewhere

The Virgin Kills x 3

WHITFIELD, Raoul (1897?-1945). The Virgin Kills. New York: Alfred A. Knopf, 1932.

8o. Original canary yellow cloth; pictorial dust jacket by J.V.W. Oliver (very minor chipping to ends of spine panel; short tear to lower edge of back panel).

FIRST EDITION, in the scarce dust jacket. “Death went up the river with the Virgin, Eric Vennell’s yacht, when that millionaire gambler sailed for the Regatta at Poughkeepsie with his oddly assorted guests” (dust jacket). Illustration on page 56.

better image than previously posted

1986 Quill paperback reissue of his 1932 hardcover

Apparently, the novel was not serialized in any magazine before publication

March 14, 2013

1988 No Exit Press from the UK

cover photo by Weegee

1934 Knopf hardcover

As nice as it gets: First American Edition of THE POSTMAN ALWAYS RINGS TWICE (1934), by James M. Cain.  In the iconic (and unrestored) dustjacket designed by Arthur Hawkins. 

A stunning copy of Cain’s first novel, a hard-boiled tale of love, murder, and betrayal that anticipated the trend of existentialism in fiction. While writing the novel, Cain was in dire straits financially, living with a friend and struggling to get the manuscript sold. Knopf refused to give him an advance for the novel, namely because his previous book, ‘Our Government,’ only made the publisher $250, selling something close to a few hundred copies. Cain had originally titled his novel Bar-B-Que – a title Alfred Knopf disliked nearly as much as the novel’s “rough, impromptu style.” After some persuasion, and chiefly because of his personal regard for Cain, Knopf decided to published the novel after Cain came up with a different title. In a letter to his second wife, Cain wrote “If I sell a couple of thousand copies, get my name in the papers, and pick up a little money, we’ll be all to the good and I’ll try to think up another one.”

The outcome, of course, was a furor the likes of which had yet to be seen in American publishing. Postman was an instant success, “probably the first of the big commercial books in American publishing,” becoming a best-seller in hardcover, paperback (1935), gaining syndication rights and developed into a highly successful play. Basis for the classic 1946 film noir starring John Garfield and Lana Turner, and a 1981 remake starring Jack Nicholson and Jessica Lange.

1941 Knopf hardcover

Babcock, Dwight V. THE GORGEOUS GHOUL. New York: Alfred A. Knopf, 1941. Octavo, cloth. First edition. The second of Babcock’s three mystery novels, all of which featured crime journalist Hannah Van Doren. Babcock was a prolific contributor to the pulps, especially BLACK MASK, and later a Hollywood script writer. A fine copy in very good dust jacket with light wear to corners and spine ends and some age-darkening to spine panel and along flap folds.

The Underground Man x 10

1971 Knopf hardcover, first edition – cover design by Hal Seigel

London: Collins Crime Club, 1971. First UK Edition. The 16th novel in the Lew Archer series.

1973 Harper UK reissue

1974 Bantam reissue

1979 Bantam reissue – cover art by Mitchell Hooks

1989 Fontana UK reissue

1992 Warner reissue – cover art by Gary Kelley

1996 Vintage/Black Lizard reissue

2024 UK Penguin reissue

The New Yorker, March 3, 2025

I Should Have Stayed Home x 5

first published as a hardcover in 1938 by Knopf, his third novel

1951 Signet reissue – cover art by Ray Pease

1966 Penguin UK reissue

1996 Serpent’s Tail reissue

2018 Bibliotech Press reissue

[post updated 4/10/26]

Homicide for Hannah x 4

1941 Knopf hardcover, 1945 Avon reissue

cover art by Paul Stahr

published by Hale in the UK as Murder for Hannah

better image than previously posted

1951 Avon reissue

1943 Avon Murder Mystery Monthly digest

cover art by William Frost (William Forrest)

1941 Knopf hardcover, first edition

The second appearance of the character Hanna Van Doren, considered the first female hard-boiled detective in American literature.”

Farewell, My Lovely x 21

1940 Knopf hardcover

1940 Hammish Hamilton UK first edition

1943 Pocket reissue – cover art by H. L. Hoffman

1944 World Press tie-in

1964 Pocket reissue, 14th printing – cover art by Harvey Kidder (owner’s copy)

cover art by James Neil Boyle

1951 Pocket reissue, 10th print – cover art by Paul Kresse (owner’s copy)

1950 Penguin UK reissue, 3rd print

1966 Penguin reissue – cover design by Bob Brooks

1973 Penguin reissue – cover design by James Tormey

1973 Ballantine reissue – cover art by Tom Adams (owner’s copy)

1976 Vintage reissue – cover art by Richard Waldrep (owner’s copy)

1976 Ballantine movie tie-in

1976 Penguin movie tie-in

1988 Penguin reissue

1988 Vintage/Black Lizard reissue

1994 Vintage/Black Lizard reissue

2002 Penguin UK reissue

2009 Penguin Classics UK reissue

2010 Vintage reissue

2011 Penguin UK reissue

[updated 3/3/26, 3/8/26]