The Bride Wore Black x 11

WOOLRICH, Cornell (1903-68). The Bride wore Black. New York: Simon and Schuster, 1940.

8o. Original cloth (slight lean); pictorial dust jacket by Charles Coleman (price-clipped, tiny chip to back panel, slight rubbing to joints and folds). Provenance: Nina Kelly Bruce (bookplate, signatures on front and back endpapers).

FIRST EDITION of Woolrich’s first mystery and a landmark of noir. “There are no suspects, no clues, yet the reader is tensely aware of mystery. There is only the woman, her victims, and the relentless drama of her life–a pale shadow that comes gradually into focus and is seen at last in brilliant outline” (dust jacket). The basis for François Truffaut’s film starring Jeanne Moreau. A Haycraft-Queen Cornerstone.

1941 Philadelphia Enquirer Newspaper Supplement

better image than previously posted

Summer 1941 issue – cover art by Wilson Scruggs

better image than previously posted

1945 Pocket reprint

cover art by H. Lawrence Hoffman

better image than previously posted

1952 Winter issue – cover art by George Gross

1953 Pyramid reissue with new title

1957 Dell reissue

1958 Dutch edition from Kroonder,Bussum

better image than previously posted

1968 Ace reissue

1984 Ballantine reissue

cover art by Laurence Schwinger

2021 American Mystery Classics trade paperback

Black Alibi x 8

July/August 1939 issue

included Cornell Woolrich’s “Street of Jungle Death”, the basis for his classic novel Black Alibi

1942 Simon & Schuster hardcover, an Inner Sanctum mystery

his 3rd novel as by Woolrich

better image than previously posted

1943 Handi-Book digest

1943 RKO adaptation

1946 American Mercury/Jonathan Press digest – cover art by George Salter

(previous owner’s intrusive signature on cover)

1956 Mercury digest – cover art by George Salter

1965 Collier Mystery reissue – cover accredited to Dick Cuffari

1982 Ballantine reissue – cover art by Laurence Schwinger

1931 Stokes hardcover, advanced reader copy

RUNYON, Damon (1880-1946). Guys and Dolls. Introduction by Heywoud Broun. New York: Frederick A. Stokes, 1931.

8o. Original pictorial wrappers of the dust jacket by Arthur Hawkins (some light soiling to back cover, corner of front flap clipped); cloth folding case.

ADVANCED COPY OF THE FIRST EDITION, with ink stamp “Pub’n Date Aug 20 1931” on front blank. “The great modern interpreter of The Main Stem [Broadway]… leavened his tales of passion and violence with a unique type of humor which can only be described as New York Runyonese” (Queen’s Quorum). Runyon was the archetypal tough, cynical reporter who mingled with the underworld. Queen’s Quorum 84.

christies.com

1941 Knopf hardcover

Babcock, Dwight V. THE GORGEOUS GHOUL. New York: Alfred A. Knopf, 1941. Octavo, cloth. First edition. The second of Babcock’s three mystery novels, all of which featured crime journalist Hannah Van Doren. Babcock was a prolific contributor to the pulps, especially BLACK MASK, and later a Hollywood script writer. A fine copy in very good dust jacket with light wear to corners and spine ends and some age-darkening to spine panel and along flap folds.

1940 Robert Hale hardcover

Daly, Carroll John. BETTER CORPSES: A RACE WILLIAMS STORY. London: Robert Hale Limited, [1940]. Octavo, pp. [1-6] 7-286 [287-288: blank], publisher’s black cloth stamped in red and silver. First edition. “When better corpses are made, Race Williams will make them” (p. 186). The last Race Williams book, a fix-up novel incorporating the three-part Morse story arc that first appeared in DIME DETECTIVE in 1935 and 1936 featuring Daly’s violent tough-guy detective, Race Williams, who “never bumped off a guy what didn’t need it” and the Flame (The Girl with the Criminal Mind), “a woman of good — a woman of evil. Take your choice.” Carroll John Daly (1889-1958), one of the fathers of the modern hard-boiled private eye and an important BLACK MASK writer, “is not known for literary niceties — his style can best be described as crude but effective … Characterization is minimal and action is everything” (Crider and Pronzini). Race Williams was Daly’s most successful creation, appearing in about 70 stories and eight novels. Lee Server (Encyclopedia of Pulp Fiction Writers, 2014) has called Race Williams “the single most popular private eye in the history of the pulps.” Cloth worn and scuffed, slight spine lean, half title leaf and final blank tanned, a sound, good copy in a pictorial 8/3 dust jacket with touch of wear at edges, mainly lower spine end, and mild tanning to spine panel and along rear flap fold. Stunning jacket. From the library of a well-known mystery writer with his library stamp on the front paste-down. Rare. There is no equivalent U.S. edition.

1929 Jonathan Cape hardcover

Burnett, W[illiam] R[iley]. LITTLE CAESAR. London: Jonathan Cape, [1929]. Octavo, pp. [1-6] 7-283 [284: blank] 285-288: glossary, publisher’s red cloth, spine panel stamped in gold, rear panel stamped in blind with publisher’s symbol. First British edition. Classic crime novel that chronicles the rise and fall of a Chicago gangster. Made into a memorable feature film (1930) starring Edward G. Robinson. Pronzini and Muller, 1001 Midnights, The Aficionado’s Guide to Mystery and Detective Fiction, pp. 101-102. A review copy sent to the DAILY HERALD, with publisher’s review slip laid in and a clipping of the review affixed to the front paste-down. The reviewer’s copy, with “A.L.B.,” in ink at the upper fore-edge corner of the front free end paper dated 29.6.29. Inked name on the front free end paper. Spine age-darkened, a very good copy in good dust jacket illustrated by Lee Elliott with overall toning to the white background, light abrasions to lower front panel and spine panel, vertical crease to the rear panel, abrasion with loss along rear flap fold. A presentable copy of the scarce UK edition. From the library of a well-known mystery writer with his library stamp on the front paste-down.

1957 Doubleday hardcover

Brackett, Leigh. AN EYE FOR AN EYE. Garden City: Doubleday & Company, Inc., 1957. Octavo, boards. First edition. This book became the basis for the television series “Markham“. Some tanning to page edges, a near fine copy in near fine dust jacket with some light rubbing.

1961 Belmont paperback original

novelization from the TV series starring Ray Milland

novelization by Lawrence Block was released after the TV show had been cancelled

The Underground Man x 10

1971 Knopf hardcover, first edition – cover design by Hal Seigel

London: Collins Crime Club, 1971. First UK Edition. The 16th novel in the Lew Archer series.

1973 Harper UK reissue

1974 Bantam reissue

1979 Bantam reissue – cover art by Mitchell Hooks

1989 Fontana UK reissue

1992 Warner reissue – cover art by Gary Kelley

1996 Vintage/Black Lizard reissue

2024 UK Penguin reissue

The New Yorker, March 3, 2025