

2nd book with Gramps Wiggins
cover art by Wayne Blickenstaff

1961 Pocket reissue – cover art by Charles Binger
better image than previously posted

1963 Horwitz edition from Australia

1963 British edition from Penguin
cover art by Sheila Perry


2nd book with Gramps Wiggins
cover art by Wayne Blickenstaff

1961 Pocket reissue – cover art by Charles Binger
better image than previously posted

1963 Horwitz edition from Australia

1963 British edition from Penguin
cover art by Sheila Perry

republished in 1968 by Walker as A Whiff of Death, Asimov’s preferred title


1970 Sphere edition from the UK

pseudonym of Herman Cyril McNeile
1922 UK hardcover from Hodder & Stoughton, published the same year in the US by Doran
2nd book with Captain Hugh “Bulldog” Drummond

1943 Dodd Mead hardcover, first edition

cover art by Ben Hallam, mapback by Ruth Belew


original title: Blood on the Black Market
cover art by Robert Stanley
better image than previously posted

cover art by Robert McGinnis

above art repurposed from 1958 Dell edition of Frank Kane’s Syndicate Girl

cover art by Robert McGinnis
better image than previously posted

1954 Dutton hardcover, first edition

cover art by Mitchell Hooks
better image than previously posted

1939 Coward-McCann hardcover
cover designed by Clayton Rawson, magician and mystery writer

cover art by Dennis McLoughlin
better image than previously posted

As nice as it gets: First American Edition of THE POSTMAN ALWAYS RINGS TWICE (1934), by James M. Cain. In the iconic (and unrestored) dustjacket designed by Arthur Hawkins.
A stunning copy of Cain’s first novel, a hard-boiled tale of love, murder, and betrayal that anticipated the trend of existentialism in fiction. While writing the novel, Cain was in dire straits financially, living with a friend and struggling to get the manuscript sold. Knopf refused to give him an advance for the novel, namely because his previous book, ‘Our Government,’ only made the publisher $250, selling something close to a few hundred copies. Cain had originally titled his novel Bar-B-Que – a title Alfred Knopf disliked nearly as much as the novel’s “rough, impromptu style.” After some persuasion, and chiefly because of his personal regard for Cain, Knopf decided to published the novel after Cain came up with a different title. In a letter to his second wife, Cain wrote “If I sell a couple of thousand copies, get my name in the papers, and pick up a little money, we’ll be all to the good and I’ll try to think up another one.”
The outcome, of course, was a furor the likes of which had yet to be seen in American publishing. Postman was an instant success, “probably the first of the big commercial books in American publishing,” becoming a best-seller in hardcover, paperback (1935), gaining syndication rights and developed into a highly successful play. Basis for the classic 1946 film noir starring John Garfield and Lana Turner, and a 1981 remake starring Jack Nicholson and Jessica Lange.

1938 Putnam hardcover movie tie-in

debut mystery and first with The Great Merlini, magician and sleuth
cover art by Gerald Gregg

2018 American Mystery Classics edition
