

better image than previously posted

cover art by Rafael DeSoto
better image than previously posted
T.T. Flynn, “Weather Fair – – Track Bloody (Mr. Maddox)
D.L. Champion, “Aaron Had a Rod” (Inspector Allhoff)
H.H. Stinson, “Keep ‘Em Dying”
Day Keene, “A Great Whirring of Wings”
Julius Long, “The Dead Don’t Tell”


better image than previously posted
cover art by Fred Craft
~ Tom Curry, “The Raiders”, 11th of 23 with Macnamara (Mac), NYPD 1st grade dick, 18th of 39 stories in BM
~ Erle Stanley Gardner, “The Wax Wagon”, 17th of 73 Ed Jenkins stories, with Helen Chadwick & Soo Hoo Duck, 27th of 99 stories in BM
~ Dashiell Hammett, “The Cleansing of Poisonville”, 1st of 4 Continental Op stories that will go together to make up Red Harvest (published 1929), 26th of 45 stories in BM
~ Nels Leroy Jorgensen, “Get Burton”, 8th of 32 with Stuart “Black” Burton, ‘square-shooting gambler from the Southwest, often entangled with the law’, 10th of 39 stories in BM
~ Raymond Emery Lawrence, “Riker Accomodates” [spelling in Hagemann], ‘aviator’, 1st of 2 stories in BM
~ John W. McCardell, “The Return of Gun Eagen”, ‘Western’, 1st of 2 stories in BM
~ Frederick L. Nebel, “With Benefit of Law”, ’boxing & crooks’, reprinted in Street Wolf (Altus Press, 2014), 9 of 67 stories in BM
~ Everett H. Tipton, “One Bad Man”, ‘Western’, 1st of 7 stories in BM
~ Raoul [Fauconnier] Whitfield, “Red Pearls”, ‘police dick, Lou Kyle’, 16th of 67 stories in BM [see also 24 stories as Ramon Decolta]
©Seattle Mystery Bookshop

Babcock, Dwight V. THE GORGEOUS GHOUL. New York: Alfred A. Knopf, 1941. Octavo, cloth. First edition. The second of Babcock’s three mystery novels, all of which featured crime journalist Hannah Van Doren. Babcock was a prolific contributor to the pulps, especially BLACK MASK, and later a Hollywood script writer. A fine copy in very good dust jacket with light wear to corners and spine ends and some age-darkening to spine panel and along flap folds.

Daly, Carroll John. BETTER CORPSES: A RACE WILLIAMS STORY. London: Robert Hale Limited, [1940]. Octavo, pp. [1-6] 7-286 [287-288: blank], publisher’s black cloth stamped in red and silver. First edition. “When better corpses are made, Race Williams will make them” (p. 186). The last Race Williams book, a fix-up novel incorporating the three-part Morse story arc that first appeared in DIME DETECTIVE in 1935 and 1936 featuring Daly’s violent tough-guy detective, Race Williams, who “never bumped off a guy what didn’t need it” and the Flame (The Girl with the Criminal Mind), “a woman of good — a woman of evil. Take your choice.” Carroll John Daly (1889-1958), one of the fathers of the modern hard-boiled private eye and an important BLACK MASK writer, “is not known for literary niceties — his style can best be described as crude but effective … Characterization is minimal and action is everything” (Crider and Pronzini). Race Williams was Daly’s most successful creation, appearing in about 70 stories and eight novels. Lee Server (Encyclopedia of Pulp Fiction Writers, 2014) has called Race Williams “the single most popular private eye in the history of the pulps.” Cloth worn and scuffed, slight spine lean, half title leaf and final blank tanned, a sound, good copy in a pictorial 8/3 dust jacket with touch of wear at edges, mainly lower spine end, and mild tanning to spine panel and along rear flap fold. Stunning jacket. From the library of a well-known mystery writer with his library stamp on the front paste-down. Rare. There is no equivalent U.S. edition.

Brackett, Leigh. AN EYE FOR AN EYE. Garden City: Doubleday & Company, Inc., 1957. Octavo, boards. First edition. This book became the basis for the television series “Markham“. Some tanning to page edges, a near fine copy in near fine dust jacket with some light rubbing.

1961 Belmont paperback original
novelization from the TV series starring Ray Milland
novelization by Lawrence Block was released after the TV show had been cancelled